The urgency behind Giordano's book is of a different kind, stemming more from the need to preserve the present than to explain it... Much like Sigmund Freud wrote down his dreams when he woke, before they faded, Giordano sought to document, in real time, his experience of the pandemic.
'Potent and original'
Part analysis, part journal, perhaps the first from the new world we all share. It is modest, lucid, calm, informed, directly helpful in trying to think about where we are now... The literature of the time after begins here.
Paolo Giordano's HOW CONTAGION WORKS is a lodestar for all of us seeking to find our way through this pandemic. Giordano, a mathematician, seamlessly combines lyrical prose and epidemiologic concepts in a clear and compassionate way, recalling at times the work of Jorge Luis Borges. HOW CONTAGION WORKS illuminates a clear and calm path forward as we navigate this strange new world.
Urgent, powerful writing... I could have folded the corner on every page.
Brilliant...[Giordano] urges us to be kind and see the pandemic not as an accident or a scourge, but as foreseeable, and proof of how our world has become inextricably interconnected. The outbreak's origins reside with us, the planet's most invasive species
A timely, vital and inspiring read.
A slim guide to understanding this virus and preparing ourselves for what comes next... Taking a breather from bewildering statistics and terrible tales of contagion to read Giordano's book was a jolt of brevity and simplicity... Giordano's short book takes concepts that have been dancing away in our minds, just out of reach, and lines them up neatly.
Sublimely elegant, provocatively simple, deeply troubling. In one short hour, in the midst of this difficult moment, Giordano reinforced my sense of hope in humanity, in the one and the many.
The stark and poetic prose of Paolo Giordano's essay How Contagion Works conveys the existential angst of an Italian intellectual as he comes to terms with quarantine: the vulnerabilities, missed opportunities, loneliness, fear of annihilation and the realisation that humanity's supporting structures are 'a house of cards'.